What does your English profile look like on MCV's website?
Dear MCV members! As you know, you have both a Swedish and an English version of your MCV profile, where the press text is directly translated from Swedish to English via a digital service. Sometimes the translations are not completely in line with what is desired, so we ask you to check your material - both Swedish and English! To bring up the English text version, click on the English flag above your press image. See our image example below.
If something has gone crazy or translated into a word / sentence you want to replace, just email us your amendments to firstname.lastname@example.org !
Upcoming dates for applications to the Arts Council
Project contribution: May 2 - June 2
For you who are active in the music field as a musician, composer, music producer or conductor.
National residence scholarship in Piteå: July 29 - August 29
National residence at Studio Acusticum; for you who are active in the field of music as a musician, composer, music producer or conductor.
New project grant for international operations
The Cultural Council has established a new project grant for international activities which will strengthen the internationalization of cultural life in Sweden. The grant is aimed at important cultural policy actors whose international projects and activities have been affected by the covid-19 pandemic. The projects can include international exchanges, collaborative projects or export promotion initiatives. Read more here!
Full swing at the Performing Arts Days
Cultural development Last week, VGR invited to the annual offer days, The performing arts days for children and young people in Gothenburg. MCV was of course on site to network with both organizers and artists. The schedule included programs for dance, theater, music and circus.
We took the opportunity to ask some questions to Nina, Amanda and Karl Peter in MCV file Man Must Sing represented in the program offer:
What's the most fun about the Performing Arts Days?
The performing arts days feel like a fantastic opportunity to have the chance to show their performance to a very special audience, namely the organizers. It is very important for us as a free group to have such an opportunity! In addition, it was incredibly fun to meet the other groups and see their performances! When we had played part of our contemporary opera I do not know who I am and I love it a breakdance collective came on stage, then a theater group and finally a folk music group! Completely different expressions, but so exciting to see how much performing arts are created for children!
How does a supply-day gig like this differ from other performances?
Our show I do not know who I am and I love it is actually 35 minutes, but we only played 10 minutes at the Performing Arts Days, and instead we had to do the 10 minutes three times, for three different audience groups. We had planned a lot to make everything work, percussion, props, wigs, costume, everything has to sit down to the smallest detail when we only have 10 minutes on us! It is a demanding challenge, but once we did it was very fun and rewarding!
Have you received any booking requests after you participated in the Performing Arts Days?
No, we have not received that, of course we hope that it will! We will play I do not know who I am and I love it at West Pride in June, and also as school performances arranged by KUBO this fall, so there are a lot of plans ahead!
At this link you can check out all MCV files that are currently in Kulturkatalogen Väst for subsidized booking!
Interview with the sisters in Bremen!
Hi Malin and Karolina in Sisters of Invention! We have had to follow a little on your first trip ever jazzahead! in Bremen, when you took over our social channels this weekend - thank you for doing that, it looked fun!
Hi MCV, the pleasure was completely on our side! We have had great days in Bremen.
What do you think are the three best benefits / things about going there?
Meet people who have previously been just email contacts. See that there are so many who are passionate about jazz around the world / Europe. Get the chance to spread our music.
The hardest part about getting there, the biggest challenges?
Long but fun days. Lots to take in for us who were there for the first time, it took a while to understand the concept. You get to choose what you want to put your energy on and learn to see what will benefit your own future plans.
Do you have five tips / lessons of your own for those who want to go next year?
Make a mind map or similar of what you want to get out of going there.
Do not set too high demands on yourself, it should be fun too!
Be prepared with material on site, current texts, photos and contact information. Clean up your website and social media so it's representative content.
Take the opportunity to see the city, take a walk in Schnoor! Look at tulips!
Eat at least one pretzel!
And what does the plan look like for you next year - will it be Jazzahead again?
Yes, absolutely, we are investing in that!
Office gig at MCV May 12 with Doggerland!
On May 12, we invite you to an office gig at MCV's own office at Musikens Hus! The band is called Doggerland and they turn past us on their way to the ferry on their Germany tour for a hearty little gig. We also take the opportunity to interview them on the theme “How do you book a tour in the middle of a pandemic at seventeen?
Welcome to MCV's office, Musikens Hus - Djurgårdsgatan 13
12 May at 14.30 - 15.30
First come, first served in a few places - sign up here no later than May 10!
If you are prevented, let us know email@example.com as soon as you know so we can drop the place to someone else.
Come and mingle, have coffee and hang out!
Apply for the Cultural Council's restart support - deadline tomorrow 4 May
Tomorrow is the last day for applying for restart support from the Swedish Arts Council! The restart grant is aimed at companies and organizations that carry out professional cultural activities or that conduct promotional activities in the cultural field. It will support a restart of cultural life after the effects that the covid-19 pandemic has had on the cultural industry.